Tag Archives: people

Not for Sale

My wrist is getting better, and I am savoring (More like salivating over) the prospect doing artwork again.  Yes, in a little more than a week, my cast will be off. A little physical therapy, and I’ll be good to go.

After that announcement, I want to know…are you tired of blogs (including mine), trying to sell you something?  Well, I’m going to put a reverse on that, and show you what you can’t have at any price.

 

 

THECATFROMNEWYORKCITY

This is my cat, Pumpkin.  Not for sale, because, damn, it’s Pumpkin!

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I gave this to a friend.

 

MERRITTPARKWAYFANTASY

This one, because I’ll be damned if I know where it is.

AWESTERNTAO

This was given to a different friend as a house warming gift. Boy, did my bf get pissed I did that. But, he never told me he liked it!

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I bartered this one for energy healing sessions.  BF was pissed about that, too. In all seriousness, if I had known it was so special to him, I would have bartered something else.

DISCO

I finally learned my lesson.  BF loves it. Not for sale

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This one I bartered for an art show in a coffeehouse in Manhattan. Yes, exhibit space is so competitive, you have to give some kind of exchange for even a coffeehouse show.

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SOLD!

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This one I lost by default, because I left it at a gallery too long after the show was over. we didn’t have a car back then. i always meant to make arrangements to pick it up, but time went by faster than I realized.

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One of  my favorites. Given to a friend. I do have reproductions of it.  No reproductions of my friend. She’s one of a kind.

 

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Given to a charity.

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Given to charity.

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Given to charity

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SOLD!

 

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Sold!

 

EMBRACINGMYINNERCAT

Of course my favorite, and my logo.  And damn! She was my cat Hannako!

 

There’s more, but that’s it for now. My finger is tired. When the cast comes off, I’ll be able to type normally, again. I’m thankful for that.

 

 

I, Me, Mine

Channeling a little George Harrison, there…….

It seems to me that I talk about myself and my art a lot here.  I guess that’s normal, after all, it is my blog and it is supposed to be artsy.  Also, these are the subjects I know best,

The portrait above is me, a few years back.  I’m not really into doing self portraits.  Why would I want to do that, when there are so many more interesting and beautiful subjects to be drawn?

RAINBOWOVERTHETRACKS

Another topic I know a lot about is retail. I’ve worked in it for so many years, and it’s changed in stores since the internet became the competition.

It used to be enough to ask a customer if she needed help, and leave her alone if she just wanted to look.  Now it’s all about “asking  open ended questions”, to get the customer to talk about herself, giving the impression of sincere interest.  In the meantime, you are listening with the motive of finding out about her, to find something to sell to her. You step in like a vulture when you’ve got it.  Seems pretty dishonest to me.

ARMCHAIR

On the other hand, a friend of mine asked about making conversations with strangers to make a friend.  Again, the solution is to get that person to talk about herself.  If you can listen with sincere interest, you’ll make a friend.

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So, I’ve managed to not talk about myself a little.

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And some subjects aren’t subjects at all. Just a note, the drawing in this post are pretty random.

So, I don’t do many portraits, self or otherwise.  I find getting a likeness difficult, even if I do the tried and true.

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Roxanne Baldwin’s Artsy Store

Small Stuff for Sale

EPSON MFP image

Starting All Over, Again, Again

Can You Draw a Bicycle?

I thought this article was pretty amusing.  Of course, drawing from imagination is a challenge.  Most of my life I’ve used photos or life as reference, but now I start out on a new quest (self-indulgence is great).  I’m drawing from imagination.  Pertinent to this is drawing a bicycle from memory.  Here’s mine.  Of course I did cheat, and put a figure in front of it, hiding a big part of it.

So, as to the title…I realize big life changes bring on big changes in artwork.  When I moved to New York City, my work changed from when I lived in Connecticut before.  It took a while to settle in.

Art from Connecticut first time:

 

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MERRITTPARKWAYFANTASY

Another one from my Connecticut years about 10 years later.

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And getting into the 90’s

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Then with tremendous ado, we moved to New York City. Manhattan particularly.  I tried to work as if I was still back in my home town of Stamford, CT. but the subject matter had changed.  Finally, I made it work:

PREWAR

DISCO

And then, with a little less ado, we moved to Sunnyside in Queens.  I remember trying, trying, trying to draw the bridge outside my window that connected Queens to Brooklyn, or the other way around, depending on whether you were a Mets fan.  The picture turned out dark and horrible, and I destroyed it immediately. I gave up art, totally and forever, or so I thought.  Then after a long break which took me on a journey into learning and practising Reiki, of all things.

So, then once again, it began to flow.  I started up again, with drawing more appropriate to Queens.

VIEW FROM LONG ISLAND CITY, BY ROXANNE

GUARDIANS, BY ROXANNE BALDWIN

So, for many reasons, I decided to move back to Connecticut, dragging my boyfriend kicking and screaming. Of course, I tried to draw the state as if I were still living in Queens.

TARRYWILE

I avoided drawing people in NYC, because there were so many of them, and they were downright annoying.  So, I’ve come back, and am, touching, very lightly, the subject of human beings again (as opposed to just cats).

The featured image is one of the first..so, let it rock and let it roll!

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Roxanne Baldwin’s Artsy Store, 

Reproduction:    106_thumb.jpg

And What I Mean by That is..

I guess I didn’t make that very clear.  I certainly would have understood what I meant, and I”m me.  Start with what you know, indeed.

What I mean, is that when starting out a piece of artwork, there are some areas that you already know how you’re going to handle them.   For instance, in the new drawing above, I knew how I was going to draw the people.  Started there.  Which gave me an idea of how to handle the branch, which gave me an idea of how to handle the middle ground, and so forth, so on, and blah, blah, blah, etc.

The drawing may look a little weird the way it looks here.  It’s a small drawing, that the WordPress format blew up in size.  Every little stroke of the pencil is visible here, whereas it really looks muted.

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Just a personal note about my life at the moment, my tremor has gotten to the point that I can no longer control the pencil well enough to stand at my easel to draw.  So, I’ve made a different approach, working smaller and in a way to brace my hand better.  True, it’s a little dull doing small pieces, but I tell myself if there’s something I really like, when I figure out how to do it, I’ll make a statement piece out of it.  Also, I’ll have a lot of little accent pieces.  See if that’s any better for sales.

But thinking about it, I wondered what of the drawings I have already would make a good accent piece.  My first choice is an unassuming sketch of mine which I am now naming “Mind Games”.  That’s firstly because it resembles the intricate working of a person’s mind and also, I was listening to John Lennon a lot when I drew it.  Okay, to refresh your memory:

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Yes, it needs a little tweaking, but with figures of children added to it, I think it would me a damn good huge, huge, I’m telling you, piece.

But there are others that I think would make a good statement piece.  For instance, this:

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It’s actually a nameless little piece that I did as a label for a friend’s line of natural products.  But can you see this 5 feet, by 5?

And then there’s this:

EMBRACINGMYINNERCAT

My old logo, Cheshire Cat like.

Going back to my small, paradise works:

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Now, I’ve gotten so many statement piece ideas, I can’t make up my mind.  Mind?  Mind Games again?

I’m going to bed.

 

 

That’s Why I Don’t Paint People

Bob Ross was reputed to refuse to paint pictures of people.  For whatever reason…I don’t know.

I’ve looked back at my drawing and realized I do draw pictures of people but mostly their backs.  ?  What?  Why would I do such a thing.  I read somewhere a long time ago, that in corporate art, it’s considered distracting to see people in a work of art.  So, without realizing it,  think I incorporated this rule into my work.

In honor of Throwback Thursday, here are the pictures of backs of people, mostly from a good long time ago.

Just to prove the exceptions to the rule, here are people drawn forward.

In the meantime, I am working on a new drawing…but no people in it.